From Amazon: "In the classic The Abolition of Man, C.S. Lewis, the most important Christian writer of the 20th century, sets out to persuade his audience of the importance and relevance of universal values such as courage and honor in contemporary society. Both astonishing and prophetic, The Abolition of Man is one of the most debated of Lewis's extraordinary works. National Review chose it as number seven on their 100 Best Nonfiction Books of the Twentieth Century."

One of the classic four books of ancient Confucianism, The Great Learning consists of a short initial commentary attributed to Confucius himself, followed by a lengthier tract written by one of his disciples named Zengzi.

The text emphasises achieving balance in everyday life and in thoughts. For the man who aspires to great wisdom, much time must be set aside for rest and contemplation. Life's priorities must be organised according to their importance, and harmony must be rigorously cultivated in everyday associations and relationships. In learning, one must not consider one kind superior to the exclusion of others, but must instead strive for balance.

Christ does not erase our cultural identities. He redeems them.

As Classical Christian Education experiences a renewal in the West, more and more Chinese Christians are eager to participate in it—but they face a dilemma. Contemporary resources on classical Christian education almost unanimously define it as a Western tradition rooted in Western languages, Western literature, and the seven liberal arts. Does this mean that Chinese classical Christian schools must also adopt a Western curriculum? Or might they draw from their own Eastern tradition, one characterized not by men such as Plato, Herodotus, and Shakespeare but by Confucius, Sima Qian, and Li Bai?

In Redeeming the Six Arts, Brent Pinkall argues that classical Christian education is not fundamentally a canon of fixed texts or subjects but rather an approach rooted in the Fifth Commandment: Honor thy father and thy mother. Insofar as our ancestors differ, the languages, literature, and arts we study will also differ. Although Chinese Christians share the same “spiritual” fathers as their Western counterparts, their “earthly” fathers are different, and therefore their curriculum must reflect not only a shared “Christian” heritage but also a unique “classical” heritage.

In Part 1, Pinkall surveys the 4000-year history of Chinese classical education, a tradition rooted in the “six arts”: rites, music, charioteering, archery, script, and calculation. In Part 2, he explores the common grace of God in this rich but pagan tradition and considers how Chinese Christians might redeem it to his glory while avoiding attendant pitfalls, just as the church in the West redeemed the “seven arts” tradition inherited from their pagan, Greco-Roman ancestors. As readers compare the two traditions, they will find both glorious distinctives as well as remarkable similarities. They will discover that God reveals himself not only through the Logos but through the Dao.