In this stimulating and still-timely study, Josef Pieper takes up a theme of paramount importance to his thinking – that festivals belong by rights among the great topics of philosophical discussion. As he develops his theory of festivity, the modern age comes under close and painful scrutiny. It is obvious that we no longer know what festivity is, namely, the celebration of existence under various symbols.

Pieper exposes the pseudo-festivals, in their harmless and their sinister forms: traditional feasts contaminated by commercialism; artificial holidays created in the interest of merchandisers; holidays by coercion, decreed by dictators the world over; festivals as military demonstrations; holidays empty of significance. And lastly we are given the apocalyptic vision of a nihilistic world which would seek its release not in festivities but in destruction.

Formulated with Pieper's customary clarity and elegance, enhanced by brilliantly chosen quotations, this is an illuminating contribution to the understanding of traditional and contemporary experience.

A portrait of America's most interesting yet overlooked women.

In the midst of a historic "birth dearth," why do some 5 percent of American women choose to defy the demographic norm by bearing five or more children? Hannah’s Children is a compelling portrait of these overlooked but fascinating mothers who, like the biblical Hannah, see their children as their purpose, their contribution, and their greatest blessing.

The social scientist Catherine Pakaluk, herself the mother of eight, traveled across the United States and interviewed fifty-five college-educated women who were raising five or more children. Through open-ended questions, she sought to understand who these women are, why and when they chose to have a large family, and what this choice means for them, their families, and the nation.

Hannah’s Children is more than interesting stories of extraordinary women. It presents information that is urgently relevant for the future of American prosperity. Many countries have experimented with aggressively pro-natalist public policies, and all of them have failed. Pakaluk finds that the quantitative methods to which the social sciences limit themselves overlook important questions of meaning and identity in their inquiries into fertility rates. Her book is a pathbreaking foray into questions of purpose, religion, transcendence, healing, and growth—questions that ought to inform economic inquiry in the future.

The story of the wooden puppet who learns goodness and becomes a real boy is famous the world over, and has been familiar in English for over a century. From the moment Joseph the carpenter carves a puppet that can walk and talk, this wildly inventive fantasy takes Pinocchio through countless adventures, in the course of which his nose grows whenever he tells a lie, he is turned into a donkey, and is swallowed by a dogfish, before he gains real happiness.

This new translation does full justice to the vibrancy and wit of Collodi's original. Far more sophisticated, funny, and hard-hitting than the many abridged versions (and the sentimentalized film) of the story would suggest, Ann Lawson Lucas's translation captures the complexity of Collodi's word-play, slapstick humour, and immediacy of dialogue. An adult reader will recognize social and political satire, and the invaluable introduction and notes illuminate the cultural traditions on which Collodi drew.

Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world''s greatest writers, designed by the award-winning Coralie Bickford-Smith.

Karen Blixen, author of the acclaimed memoir Out of Africa, was also a master of the short story form: her tales offer luminous meditations on rebirth and redemption, on the mystery and unexpectedness of human behaviour. Alongside ''Babette''s Feast'', this selection also includes ''Sorrow-Acre'', often thought to be one of her finest stories.

''Tales as delicate as Venetian glass'', The New York Times