Anthony Esolen

Everything you should know--but PC professors won't teach--about Western heritage.

Western civilization is the envy of the globe. It has given to the world universally accepted understandings of human rights (rooted in Judeo-Christian principles), created standards for art, music, and literature that have never been equaled, and originated political and social systems that have spread all across the planet.

Political correctness now obscures these and other truths about Western civilization. Leftists and Islamic jihadists find common cause in assailing Western "colonialism," "imperialism," and "racism" as its defining characteristics. Guilt-ridden Western leaders and public figures speak of their cultural patrimony in disparaging terms they would never dare to use about a non-Western culture. And in universities, "multicultural"-minded professors flatter students into believing they have nothing really to learn from Sophocles or Shakespeare.

An extraordinary new verse translation of Dante’s masterpiece, by poet, scholar, and lauded translator Anthony Esolen

Of the great poets, Dante is one of the most elusive and therefore one of the most difficult to adequately render into English verse. In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem’s line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with teachers and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.

Esolen also provides a critical Introduction and endnotes, plus appendices containing Dante’s most important sources—from Virgil to Saint Thomas Aquinas and other Catholic theologians—that deftly illuminate the religious universe the poet inhabited.